I haven’t been painting as much as I planned but I’ve started sketching again so hopefully I’ll start turning those into paintings again soon. I have two new ones, the first is a small color study in oil of Cutthroat Pass and the second is a somewhat larger (but still small) painting of some hay and a house we saw in France.
So – what am I working on now? I was joking that I’m no longer making art, I’m just looking at it. But it’s probably more accurate to say that I’m not finishing any art.
I’ve got 3 oil paintings in various stages of done-ness, one of which I had previously put away for over a year and now I’m trying to salvage it. One is a bottle painting where I decided i was unhappy with the composition so I may not finish it. Third is another portrait of my dog, because everyone loves my dog.
Other than that – I’ve just been making tiny sketches to see if I like the layout – to avoid the problem of not liking a composition once I’m half way through. I think the rock in the forest and the sketch of Chain Lakes have potential. The other looked better in my head. The chameleon was just for fun and because I wanted to see if my multimedia paper would take watercolor (it does). The glass of water was a practice study. And the portrait is about half done, I’m letting it sit a few days to see if the proportions still look right when I’ve been away from it.
There’s no theme here, but I wanted to get in the last few things I did at the tail end of 2020. Two of my previous pastel frogs are promised to family members and I wanted to have one to keep for myself. The still life is the latest in what’s turning into a series of light shining through glass bottles. For a while in the middle I regretted my decision to paint green light shining on green apples, but I think it turned out in the end.
I meant for this to be something I could knock out in 3 hours, but it wound up taking all day. Red eyed tree frog in pastel pencil on pastelmat. The first photo is my ‘in progress’ image.
Tomorrow I hope to work on depicting shallow water in oils.
The Pacific Northwest doesn’t get the fall fireworks show that the East can get, but we do mountains much better and also, there are larches. I had never seen them before, but these are deciduous conifers and if you time it right, you can see them in full, bright yellow color up in the mountains.
These are all from Cutthroat and Maple Pass in the North Cascades. The yellow trees are larches, the bright red bushes are huckleberries and the haze is the remnant of wildfire smoke.
I’ve never painted with oils before last fall (I haven’t done much painting at all and never taken a class in it) but from the limited amount I’ve done since then I like them better than acrylic and I can’t really explain why. If you’ve ever had a game that you like because the pieces are nice, they are smooth and rounded and have a nice weight to them so that it just feels good to pick them up, that’s how I feel about oil paint vs acrylic paint. In November I was invited to start painting with friends and hopped in, hoping I’d figure out what I was doing as I went.
I started working on a landscape from a photo I took on the Isle of Skye of a heather-covered hillside and the shoreline and sea beyond. Did I mention I knew NOTHING about oil painting (or any painting?) so it’s been slow going as I stopped every time I had to work on something new.
I think it looks very much like someone’s first oil painting. The colors are too saturated, particularly the sky, and my brushwork leaves something to be desired, but I’m working on it. I need to finish up the heather and there are some details in the mid ground I want to touch up before I call it done.
After we’d been stuck in our houses a while because of the pandemic, I decided to bring the paint supplies to my house so I can at least work on something. I was not previously a fan of the still life, but these are small, have simple shapes and are very ‘low risk’ compared to a portrait. If I’ve got some lines off on a lemon, it doesn’t make the lemon look angry.
Things I noticed: when trying to paint a white, shiny object, I should not have made the highlights pure white – it looks too chalky. It is very difficult to figure out what the shadow color on a lemon is. I am not good at painting thin lines. If I do a blend from purple to red to orange I need to really keep my brushes clean and possibly break it down over several days.
Finally, I went through my photos and decided to try another landscape. This one is small (14×11) and I’m thinking of it as a ‘practice sketch’ for something to maybe do again later but bigger. I’m playing around with a style and want to work a bit looser. I started with a practice practice sketch – a thumbnail that was only 4″ wide to get an idea of the colors.
The oils take a while to dry between layers and I’m prone to wanting to rush everything (I can create grey!) so my current solution is to always have 3-4 paintings in progress so I can jump to another when one needs time to dry.
Playing with pastel pencils: test #3. Learning from my frog mistake I went a little bit bigger (but I think not big enough! This is 9×9″
What I learned:
- I need to slow down doing the backgound and get it nice and smooth.
- The stabilo pencils are water soluble and going lightly over it with a water wash once I’ve got some pastel down helps fill in the gaps were it may not be making good contact with the textured paper.
- If I want really bright colors maybe I should use a white paper
- Either I don’t like the spray fixative or I’m not using it right. The fixative made all the colors darker, made areas with only light pastel vanish, and made some heavy chalk lines in my underpainting stand out. Oh – it also revealed some lines from my pencil sketch! Working over the top. of the fixative felt a bit scratchy.
Since the fixative caused so many problems I did a substantial amount of work over the top of it. It left some gummy patches so my background is not as smooth as it was, but it did really let me punch up the color and rework the spots on the feathers. Looking at it now, there is some more I could do, but now I’ve got it under some glass to protect it.
It’s been a while, but now with everyone under a stay at home order, I’ve got plenty of time to play with art. Here are two quick studies I did to try to see how they work. I’m learning. The frog had good colors but I realized I’d made it much too small for the kind of details I wanted to use.
I called these “pastels” but they are specifically Stabilo CarbOthello pastel pencils. I have an ancient set of pastels that I never liked because they make a huge mess and were ‘scratchy’, I’m not sure about the scratchy part, but having pulled them out again now I think my main problem is that I only had 9 colors and it wasn’t enough to do anything. And also I would need to work BIG and that kind of size intimidates me. Buying paper that large is expensive – but I’m adult now with my own budget.
I forgot how to cut holes in things and use the gradient tool – but it didn’t take long to figure it out again. I may use this as part of a larger piece later.
I think this is the final but I may add more tiny branches and some detail in the far background.